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October, 2020

A work made during the lockdown to enable people to find joy and discover new worlds on their everyday walks. The artwork is an AR soundscape that procedurally emerges an audiovisual universe around you that you can interact with and manipulate the sound. The project also acted as a space to question what AR and it abilities can enable within the dynamics of sound creation and composition, forming playful immersive digital instruments. This sound for this project was made in collaboration with Izzy Nakhla.

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June, 2020

A six week collaborative residency at Arebyte Gallery. Working together to explore a range of topics in the digital arts with the help of International guest artists and curators such as Keiken, Belling Cat, Orphan Drift, Tega Brain and more. This residency formed and initiated In-grid as a collective who are a key collaborator throughout my work.

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May, 2019

This is an experimental drum machine I made using computational genetics to merge beats together and generate new ones. This work was produced in OpenFrameworks (C++) and enables users to input rhythms through OSC interfaces. I also developed fun aesthetics to store the different beats as "genetic" data, and enable users to see and understand music through non-traditional approaches. 

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December, 2018

A research project with Julien Mercier and Johnny Fuller-Rowell looking into haptic interfaces. This took on a case study of Ultra-haptics, where we critiqued their imaginaries of the technology as immersive and speculated other uses of it around intimacy, touch and feeling out new modes of communication through temporal materialities.

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